Dates
Opens May 24The film takes up residence squarely in Maisie’s perspective, opening with a series of scenes that spy bitter parental arguments from around the corners of the family’s white-walled, modernistic multi-storied New York flat.
The film takes up residence squarely in Maisie’s perspective, opening with a series of scenes that spy bitter parental arguments from around the corners of the family’s white-walled, modernistic multi-storied New York flat.
Jared Moshe’s directorial debut, Dead Man’s Burden, is a steady-handed western, a plodding, straight forward fable that draws more from the John Ford tradition, than Sergio Leone’s.
If the name of actress Trine Dyrholm brings to mind the sparse and cerebral (and groundbreaking) style of Dogma 95, then seeing her name on the marquee for the new film Love is All You Need might come as a shock.
Illinois’ The Hush Sound went on hiatus from 2008-2012, but with the release of their new EP earlier this Spring, the band is back together and hitting the road.
For this week’s edition of the FrontRow Spotify playlist, we pay tribute to our neighbor to the north with a collection of tunes from or about Oklahoma.
Oak Cliff isn’t the only Dallas area community with its own film festival. The Dallas Film Society has teamed up with the Highland Park Centennial Committee to launch the Highland Park Film Festival.
Because of the peculiar economy of exchange that fuels the world of art, most of the work produced by artists known and unknown goes unseen. This week, a few pieces enjoy a rare viewing.
The new documentary Koch tries to put New York’s famous mayor’s legacy in perspective. It is an affectionate, but by no means a fawning biography.
The early praise that J.J. Abrams’ new Star Trek is receiving is an indication of just how low our expectations have sunk for the summer blockbuster.
The Design District galleries have another round of openings this weekend, which, when added to the now-normal scattering of peripheral activity, creates a rather jam-packed weekend.