Richard Patterson

Born in the UK in 1963, Patterson graduated from Goldsmiths College in 1986. He has exhibited internationally with group exhibition including Damien Hirst’s renowned Freeze, Surrey Docks, London (1988); as well as Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, London, UK; Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany; Brooklyn Museum of Art, New York, USA (1997-00); The Rowan Collection: Contemporary British & Irish Art, Irish Museum of Modern Art, Dublin, Ireland (2002); Painting Pictures, Kunstmuseum Wolfsburg, Germany (2003); Nexus Texas, Contemporary Arts Museum Houston, Texas, USA (2007) and Attention to Detail, curated by Chuck Close, the FLAG Art Foundation, New York, USA. Solo exhibitions have included Anthony d’Offay Gallery, London (1997); James Cohan Gallery, New York, USA (1999 and 2002); Dallas Museum of Art, Dallas, Texas, USA (2000), Timothy Taylor Gallery, London (2005 and 2008) and the Goss-Michael Foundation, Dallas, USA (2009). Patterson currently lives and works in Dallas, Texas, USA.

Articles by Richard Patterson

  • When It Comes to Culture, Texas Has Its Head in the Ground

    Author:
    By
    Post date:
    February 10th, 2011 9:32am

    Texas suffers from a broadly philistine and even economically unfounded attitude toward the true value of culture. Broadly speaking, it sees culture as existing in the sole domain of private enterprise. At state and city political level it seems to regard culture as superfluous, a luxury, an indulgence, probably silly and probably pretentious. In short: a waste of money.  It somehow fails to see it as the central component that engages, meshes, and lubricates the machinery of the entire civilized world – regardless of business models.

    Instead, Perry prefers to promote video game designers as big business for the state. That approach to leveraging state funds will draw new revenue for sure, though not necessarily more revenue than an investment in the cultural would, and, in fact, ultimately very much less. But regardless of investment, that approach certainly won’t draw massive international respect, tourism, and tangible credibility on a world stage which will ultimately lead to untold future business opportunities. So, in terms of its impact on our own community, the myth of Dallas will be further perpetrated as big hair, beach ball bazoomers,  out-sized trucks for picking up groceries at Tom Thumb and video games (about all the above?) for people who can’t seem to get out enough. Well, this may, at least, have the added bonus of keeping the kids happy while they’re failing at school and remaining uncompetitive in the world at large.

    (more…)


    11Comments Read More

  • Reaction to the Report: Artist Richard Patterson

    Author:
    By
    Post date:
    February 7th, 2011 10:41am

    [Ed note: Richard Patterson's response to the Creative Time report was originally submitted as a comment to Lucia Simek's response the report, which you can find here. It also addresses comments by Laray Polk that were made in the comments to Simek's piece. Patterson's response below has been reposted with some corrections and additions by the author.]

    Well said, Lucia. The other simple issue is that we just need much more stuff in general – more of everything – and as you say, not any old stuff, but good stuff. 


    The critic’s voice is important for simply ‘being there’. It’s not an option to not be there, although somehow Dallas previously allowed it to be so. It is as much an integral part of the creative process as anything else, as anyone who has read FR Leavis will know. Art and criticism are not just bedfellows, they are the beast that makes two backs – the hairy, lairy, heaving, grunting, sweating, squirting, creaking, bed-collapsing, cigarette smoking, Belgian chocolate eating, lets go to Wholefoods now and then on to the Winspear….beast with two backs. It is the cultural ‘procreative’ process. I shag, therefore I am, etc. I eat Belgian chocolates afterwards, therefore I am – you name it… Can someone please write a decent novel in Dallas/about Dallas by the way. That might be bloody entertaining. 


    (more…)


      Read More

  • ‘The Best Piece of Art By A Local Artist I Have Ever Seen:’ Richard Patterson on M

    Author:
    By
    Post date:
    January 26th, 2011 9:24am

    Rating

    G Y R

    Location

    Fort Worth Contemporary Arts 2900 W. Berry St. Fort Worth, TX 76109

    Dates

    Jan 22 thru Mar 6

    This is not a review. It is my response to a single piece of work in a show, one artist to another. As a disclaimer, M was one of the artists that showed in Christina Rees’ (my wife) gallery, Road Agent, and here is showing again at the Fort Worth Contemporary Arts, my wife’s second appointment. No conflict here exactly, because there aren’t that many decent artists in the area, so you tend to get to know everyone pretty quickly. ..read more


    1Comment Read More

  • Artists’ Choices: A Former Pupil Re-Encounters British Artist Michael Craig-Martin’s Work

    Author:
    By
    Post date:
    March 24th, 2010 8:00am

    Rating

    G Y R

    Location

    Goss-Michael Foundation 2500 Cedar Springs Rd. Dallas, TX 75201

    Dates

    Feb 6 thru Apr 30

    Michael Craig-Martin, the celebrated Anglo/Irish/American artist who lives and works in London, is currently exhibiting at the Goss-Michael Foundation. His long and varied career is glimpsed through a small selection of new paintings and video-paintings. Step inside and find a very British artist. To the uninitiated, there are reverberations of iconic American pop art. Look again. There are none of the devices of distance and mediation that lodge ‘pop’ in between its parent imagery and its predicated audience. The tuned-in ..read more


      Read More

  • The Secret Life of Plants: An Artist’s Assessment of the Dallas Art Fair

    Author:
    By
    Post date:
    February 10th, 2010 1:15pm

    Three questions and three possible answers: What is an art fair? What does having one mean for Dallas? Was it any good?

    What is an art fair?

    And from here I will adopt the voice of Miss Jean Brodie: Now girls, pay attention! (you brazen little hussies).

    An art fair is a place where the international art world congregate to sell their wares, to make connections and build relationships. It is a place where art can be tested both in terms of its ..read more


    6Comments Read More