My great hope for the Bravo reality TV series — Most Eligible: Dallas — that will focus on club-hopping Dallas singles is that it churns up the Big D equivalent of The Situation. We can all dream, can’t we? Tom Maurstad has more on the show:

Using the city as “a sexy backdrop,” Bravo’s promotional materials promise that Most Eligible: Dallas will be a “jaw-dropping docu-series that follows a group of successful friends living it up like only Texas socialites can.”

A premiere date has not been set, and no details on cast members have been released. So let the rampant speculation begin.

Can’t. Wait.

Image via wikicommons.

I really enjoyed artist Jeremy Mora’s contribution to the Dallas Art Fair’s Neiman Marcus window project. Over on Art This Week, Mora is the featured interview.

Art&Seek should really point a video camera at Jerome Weeks more often and just let him go off about Dallas art, history, and civic development. In January, Heritage Magazine invited Weeks to take part in their Tuesdays at Slocum series of conversations, and now some video excerpts from that lecture are available online. Some of Weeks’ interesting observations: arts organizations in Dallas operating on shifting sand since the city experiences continual resident turnover, subscribers moving out of town as suddenly as they move in. Weeks also spoke about the Dallas Theater Center’s history, how for so many years its policy of not hiring equity actors left it out of the loop – “isolated on the prarrie,” as Weeks puts it. The Arts District, he adds, is “never going to be a real urban neighborhood:”

How many millionaire condos can there be; how many millionaires can live there and is that going to be a real urban neighborhood?

That’s not just a valid point – it is probably the only point on the matter.
But Weeks isn’t all Eeyore glumness. Dallas has a lot going for it precisely because it gains life from the influx of new residents from small towns and other cities. Running through a list of famous artists, Weeks points out that the world’s great cultural centers were charged by non-natives, and Dallas has plenty of non-natives. The question, though, is why would the next Picasso or Van Gogh end up in Dallas when other American urban centers feel a lot more like 19^th century Paris?

Dallas is a retail town, and it is a town preoccupied with style. The confluence of these two characteristics has led to the establishment of this city as a cultural center (“where the east ends”) and a place where culture is traded, exchanged, and invested in like any other commodity.

It’s that background that charges the inspired collaborative exhibition that currently takes up the windows of the Neiman Marcus building in downtown Dallas. Organized by the Dallas Art Fair, the exhibition ..read more

Depending on how you draw distinctions, there are six objects on display in the gallery space of Fort Worth Contemporary Arts: three identical houses constructed from everyday items – reclaimed wood, video cassettes, Tupperware – and three paintings on an opposite wall. But don’t be fooled by the formality and all the empty space, Sterling Allen’s exhibition, “Housing Edition,” is surprisingly baroque. Where Allen, a member of the Austin-based art collective OK Mountain (with Nathan Green) gets you is in the ..read more

Over the next few weeks leading up the 10th anniversary of the 24 Hour Video Race, we will be looking back at the ten best movies made by race participants as chosen by the race organizers. Today, at number eight is “Choices” (2009) by “Brownian Motion.” After the video, there’s a brief interview with Paul Jolly who headed up the filmmaking team.

To view all the videos in the countdown, go here.

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The opening acts for the Dashboard Confessional concert Sunday night at the Palladium Ballroom included John Lefler and Cory Branan. Not knowing who these musicians were, I had high hopes considering they were on tour with the lyrical genius that is Chris Carrabba. Let’s just say I was less than entertained. The muffled sound of Lefler’s jumbled words on stage left his performance flat and underwhelming. His voice and guitar talent was obvious, but it didn’t transfer. As for Cory Branan, his simple songs and downbeat stage presence were more suited for a coffee shop.

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This Tuesday’s giveaway is guaranteed to make you laugh. We’re giving away a pair of tickets to Friday night’s performance of Boeing-Boeing at the Circle Theatre. To get your hands on them, all you need to do submit your name through the form below. We’ll pick a winner from the submissions after 3 p.m. today.

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The Dallas International Film Festival kicks off Thursday night, but that fest’s opening night will go head-to-head with another high-appeal film fest: the traveling Found Footage Festival, which will make its Dallas stop this Thursday at the Texas Theater. The festival is the product of Nick Prueher and Joe Pickett’s thousands of hours of digging through old VHS cassettes to find lost gems and unexpected oddities. Over on Unfair Park, Patrick Michels interviews Pickett:

So when you’re back in Dallas, do you have some places in mind you want to be sure and scour for old VHS?

Garland Road Thrift Store — that one was so good, so fruitful last time. I ended up with two boxes of videos. I had to pay like $120 to ship ‘em home.

There was a hand-labeled video in there that’s in the new show — we did something last year called the “VHS cover slideshow,” where the footage might not be great but the covers were too awesome not to share with someone. They’d taped the movie Mortal Kombat: Annihilation, which, I dunno, maybe it was the third one — they’d spelled it MORTEL COMBET: ANIA …- I don’t even remember how they finished “Annihilation.” I just thought it was incredible. We picked that one up, and we actually close out our VHS covers slideshow with that.

You can now add Eduardo Souto de Moura to the list of architects suitable to undertake high profile Dallas architecture projects. That’s because the Portuguese architect has won the 2011 Pritzker Prize. Here’s more on the architect with a slide show of his notable work.